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OBITS

Michael Anderson studied journalism at the University of Rhode Island. Following a string of odd jobs after graduation, he is offered a job at a webzine, Neon Circus, on the basis of a joke obituary he wrote for an actor who died of a drug overdose. The editor of Neon Circus, Jeroma Whitfi eld, gives him the obituaries column. After Whitfi eld denies him a raise, Michael writes her obituary as a way to vent his frustration. A colleague later calls him at home to tell him that Whitfi eld is dead. He tries to rationalize it as a coincidence, but when he writes another obituary for a living person, it becomes clear that he actually has a power. The power becomes like an addiction. With each use, Michael feels a stronger compulsion to use the power again. Eventually he fi nds that he can kill not just specifi c individuals, but simultaneously anyone who shares the same name. He leaves Neon Circus, moves to Wyoming and takes a job painting houses. He stops using computers generally, but he keeps a tablet computer to read Neon Circusoccasionally. He remembers one of his professors taught that the end of any story is the end „only for now”.

Screenplay

Short story by Stephen King, developer my Julien Meijolas and Simon

Executive producers

Petr Jakl, Stephen King, Simon Kinberg

Date

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